Seeking Picture Editors

Looking for experienced long form picture editors for a documentary series on World War II submarine battles.  Must have experience with Final Cut 7 (not X).   Must be able to commute to White Rock office.  One position starts immediately; second position starts fall, 2015.

Send resume and brief cover letter as a single Word or PDF document to  Please include a link to samples of work in body of resume or cover letter.

No phone calls please.

Company: Parallax Film Productions

Location: White Rock, British Columbia

BahamaBlueTV: Diving with Sharks at Night

Interview with Mark Rackley cameraman and freediver/shark diver

As one of the most extreme underwater cameraman in the world, Mark Rackley, an experienced freediver, can hold his breath for over five minutes to depths of up to 150ft! Rackley likes to get up close and personal with his favourite underwater subject: the shark. Rackley is not only a fearless shark diver, he is also their advocate, and wants to dispel the misconceptions surrounding this misunderstood sea ‘monster’.  Mark worked underwater for Bahama Blue filming reef sharks and reveals what it was like to interact with these ancient creatures in the depths of the Bahamian ocean, after dark.

What was it like diving with sharks at night?

It was great! An unbelievable experience to have all those Caribbeans (sharks) around. Any time you are working with wild animals, it gets crazy, there are all kinds of different scenarios you go through. It’s definitely more challenging at night because they can see you but you can’t see them.  It’s basically pitch black at night and you just have your personal lighting. You can only see the creatures that enter into the dome of the light, everything else is shadowed.

Nightime Shark

What role did the local Bahamian community play?

They were a great help and indispensable to have with us. We worked with a local charter, Stuart’s Cove.  It was a challenging shoot but so much fun being in the water and the whole crew was helpful.  That makes it a lot easier when everybody is putting their heads together to solve problems as we surfaced.

Were there any surprises during the shoot?

The big Black Groupers! 60 pounds plus! They were getting cleaned at a cleaning station. That was probably the most exciting event. I am a spear fisherman, but you don’t often see that.  To get up close just see how beautiful they can be…wow!

The grouper fish lives in the drop offs in the Bahamas. It was amazing to see sharks and groupers swimming together.

Grouper New

Why do you like shark diving?

I have done this my whole life and will continue. I like the excitement. There is something new and different every day. People enjoy watching the footage I take and I like watching it too!

It’s a great way to connect with the environment and this unique ecosystem.

What are the major misconceptions people have about sharks?

Some people are afraid to jump in the water because they think a shark is just going to bite them. But that isn’t the case at all. They are after food, not because they have a malicious intent to kill a human. That is the biggest misconception.

They each also have their own personalities, some are definitely friendlier than others.

What fascinates you about sharks?

First of all, all of the animals in the water are fascinating, but yeah sharks are so precise at what it does, and interesting looking. The way it swims through the water is just a beautiful!

How did you feel swimming in the dark with sharks?

It’s a whole different feeling. You kind of get beside yourself and ask, “Is this for real?”  I don’t take doing this for granted, not one day. There are consequences and dangers every time I get in the water.

How can people learn to respect sharks?

By enjoying the stuff that Bahama Blue is doing, this visual documenting the Bahamas makes it real for people. That helps.

Swarm of Thimble Jellyfish present clearly against darker nighttime waters

Swarm of Thimble Jellyfish presents clearly against darker nighttime waters

Thanks Mark! More about Mark Rackley@

Experience day and night on a CORAL reef colony, and find out who is best hidden away when the sun goes down and the come sharks out!

Bahama Blue is a six-part documentary series created by award-winning producers Ian Herring and Maija Leivo of Parallax Film Productions. Bahama Blue airs in Canada May on the Love Nature channel and also on Animal Planet around the world.

Interview with Andy Casagrande for World Oceans Day

Andy Casagrande on set of Bahama Blue

Andy Casagrande on set of Bahama Blue

In the lead up to World Oceans Day on June 8, we spoke with award winning cinematographer Andy Casagrande. Andy specializes in wildlife and natural history documentaries around the world.

Andy’s vision is to inspire people to care about our planet and its vanishing wildlife. For Bahama Blue, Andy filmed numerous underwater sequences with animals like Sperm Whales, Blainville’s Beaked Whales, Manatees, Octopuses and Sharks.

People are always curious about his experiences with the last. Here are Andy’s thoughts about diving with this often misunderstood creature, the shark:

Diving with sharks can be a rather dangerous activity for obvious reasons. Sharks are wild predators that specialize in hunting and feeding on prey that sometimes resembles the same shape & size as a human. Thus, it’s not hard to understand why diving with sharks can be a bit daunting. However, on most occasions, if you use common sense and don’t dive in murky water, don’t dive with bait, avoid contact with the sharks and simply don’t freak out, you can enjoy these surreal underwater encounters with these living sea monsters.

When I say sea monsters, I’m not saying sharks are monsters, quite the contrary. Sharks are simply marine predators that have been around millions of years hunting their food to survive. They are not malicious and menacing, they are merely existing.

I have been diving with ‘dangerous’ sharks worldwide for the past 15 years, with my specialty being Great White Sharks, and luckily, I have never been bitten by a shark. I say ‘luckily’ because yes, luck does play a factor. The bottom line is that every single shark out there is an individual and they all have unique and vastly different personalities. If you are diving with a friendly shark, life is good and you can peacefully share the same liquid space with a majestic top predator. However, If you are swimming with a not-so-friendly-shark or perhaps a hungry or territorial shark, then you should make your safest and calmest exit from the water and stick to watching Bahama Blue instead!

Bahama Blue (c) 2014 Parallax Film Productions Inc.

Every year thousands of people flock to the Bahamas for a relaxing vacation on the beach. Other folks want to add some adventure to their travel. How do you remain safe if you decide to go on a Shark Dive?

Andy has some Ocean Awareness tips for these travelers:

Five Tips for Safe & Successful Shark Dive

1)  Avoid diving in murky water with sharks as this can lead to sharks mistaking you for food.

2)  Dive with experienced shark guides and dive operators and always dive with a reliable dive buddy.

3)  Don’t get too close to the bait – or you just might become the bait yourself 😉

4)  Bring a camera or a small stick to act as a prod, in case the sharks get a bit too “friendly”.

5)  Avoid touching the sharks and use common sense to stay safe and have fun!

Thanks Andy!

World Oceans Day is June 8. This year’s theme is Healthy oceans, Healthy planet.

Saturday May 23rd is the World Oceans Day Tweet Chat with Andy Casagrande. Send us your questions via or to our Facebook page at

Bahama Blue is a six-part nature series produced by Parallax Film and broadcast on the Love Nature channel in Canada.

International Broadcast Dates Announced for Bahama Blue

Bahama Blue

As many of you know, Bahama Blue is currently airing in Canada on Love Nature on Wednesdays at 10 pm.  You can also catch up from Canada via their online videos.

Much of Eastern Europe, the Middle East and Africa are also seeing Bahama Blue on their Animal Planet or Discovery Channel television schedules.  Here are some sample broadcast schedules:

Estonia   Poland   Finland

We’ve learned that Focus Italy will begin their broadcast run this Sunday, May 24.  Click here for details.

In Asia we have premiere dates and other information for the following territories:

India – premieres daily at 8pm from Jun 1-8.  We have more details here.

Taiwan – every Mon at 10 pm, starting Jun 8
Australia and New Zealand – every Friday at 7.30 pm, starting Jun 19. Learn more here.
Southeast Asia – every Fri at 9 pm, starting Jun 26
Japan – first episode on Jul 13, 11 pm

If you spot a Bahama Blue listing, let us know on Facebook or Twitter!




Natural History Discovery Made During Bahama Blue Production

This week’s blog post comes from Dr. Elizabeth (Betsy) Stoner who provided loads of information and logistical support to our latest project.  She made an amazing natural history discovery during the production of Bahama Blue and we asked her to tell us what happened.

Betsy reports:

One of the greatest thrills a scientist can have is discovering something “new” in the natural world, such as stumbling across an undocumented species, or witnessing a never-before-seen animal behavior. Though this rarely occurs, I had the fortune to make a discovery regarding two unpopular animals: jellyfish, and venomous worms.

The Upside-down Jellyfish (Cassiopea spp.)

The Upside-down Jellyfish (Cassiopea spp.)

During the filming of “Bahama Blue”, the Parallax team and I were documenting the mangrove jellyfish (Cassiopea spp.), also known as the upside-down jellyfish due to its unique life history orientation.

Although these jellyfish are important animals in mangrove ecosystems, human disturbances can cause these jellyfish to bloom, or increase in abundance, potentially harming other marine animals and plants. A predator could help keep Cassiopea densities in check, but to date, no animal had been recorded killing these jellyfish!  However, during filming in April 2014, as I observed the behavior of a Cassiopea that had settled to the bottom of a mangrove-lined tidal creek on Abaco Island, The Bahamas, an extremely large bristle worm appeared out of the crevices of the coral bedrock and proceeded to devour the jellyfish.

Over the course of the next twenty minutes, several more massive worms appeared and joined the feast, leaving no trace of the jellyfish. This remarkable and dramatic event was captured on film by the Bahama Blue team, which I subsequently documented in following months during a jellyfish feeding experiment.  One theory as to why the worms eat the jellyfish? The worms may incorporate venom from stinging cells found inside the bodies of jellyfish into their own tissues as a defense against their predators. This discovery and the follow-up experimental work was recently featured in the May 2015 Volume of Frontiers in Ecology and the Environment.

Here at Parallax Films we couldn’t be prouder of Betsy and her exciting new research discoveries.  We wish her every success in her future work.  You can learn more about Betsy on her website.

Dr. Elizabeth (Betsy) Stoner is a marine ecologist and jellyfish expert. Her research broadly focuses on human-driven benthic jellyfish blooms and how they influence other animals and plants in coastal marine ecosystems.  Most of her research takes place in The Bahamas, where she is happily nestled in mangrove forests and seagrass beds on a regular basis. When she isn’t getting stung by jellyfish or handling venomous bristle worms, she can be found working in the urban jungle of Miami, FL, helping students who are underrepresented in the sciences pursue their dreams of becoming professional scientists.  

Behind the Magical Moments: Capturing Bahama Blue

For most people the word Bahamas conjures up images of white sand beaches, rum drinks and great sunsets.  But for documentary director Ian Herring, his perspective changed when he visited in 1996 to film lemon sharks.  “We were standing in a Mangrove swamp,” he explains. “There were full-grown sharks over two meters long in this really shallow water.  It was such a contradiction to see them in this way.  I think coming back, to film again, was to reconcile what I thought I knew with what I witnessed.”

Bahama Blue is a six-part series captured in Ultra High Definition cinematography exploring the diverse ecosystems that are stretched across the chain of limestone islands we know as the Bahamas.  In classical documentary form, Bahama Blue focuses on important actors:  the creatures themselves.  With patience, the team was able to locate and film these animals in their natural habitat.  “Our idea is shift away from the humans and just let the animals and their behaviours reveal the story in a fresh and entertaining way,” says Herring.  “The pressure was on award-winning cinematographers like director of photography Sean White, and underwater camera operators Andy Brandy Casagrande IV and Mark Rackley.  Filming a natural history series like this means managing the three W’s:  Weather, wildlife and water.  It’s never routine.”

This also meant finding a balance with arguably the most famous occupants of the Bahamas: their sharks.  “I understand the obsession,” says Herring.  “Having been in the water with them, you really get a sense of their power and how perfectly adapted they are to the ocean environment.”  With at least forty different types of sharks, the Bahamas has become a world leader in their protection, having fully banned the shark trade in 2011.  “What we learned is that when you protect apex predators like sharks, it benefits the whole ecosystem,” he adds.  “So to focus on the other creatures within this environment was also very attractive to me.”

Bahama Blue (c) 2014 Parallax Film Productions Inc.

How does a filmmaker from Canada navigate such a mysterious and diverse place like the Bahamas?

“The best way is through the researchers and scientists.  They are an amazing network of people who have a specialized knowledge of the Bahamas.  It’s not a large community – everybody knows each other and the research that is going on.  Once you get connected to this network, you discover things you never knew existed.  And someone can tell you exactly where to find them or offer to take you there,” recalls Herring.

This technique resulted in some lucky finds.  “Birds, for example, are hard to film,” he explains.  “They are creatures of the sky and we are creatures of the land.  But coming back from a day of shooting iguanas with wildlife biologist Joe Wasilewski, he pointed out a solitary bird stalking the tidal flats:  the Reddish Egret, a rare white phase type that stands a meter tall.  “My initial reaction to this was a pretty bird standing on the beach, not much more than that,” remembers Herring.  “But Joe pointed out that the egret had a particular way of feeding.  This shy bird would herd the fish in the shallows and get them corralled in a group, then strike and take out a fish.  It sounded amazing, but it seemed really unlikely that it would do so while we were watching.”

“Our director of photography Sean White was filming juvenile lemon sharks from the beach and they had finally arrived.  He said if we want to film the egret we would have to relocate.  It was a classic filmmaker’s dilemma:  a shark in the hand or a bird in the bush, so to speak. My initial response was, ‘No! Don’t move because this bird will never do what you want in front of the camera.’  Within half a minute of me saying this, it suddenly started its hunting behaviour.  Sean made a quick switch and managed to capture its spectacular leaps and corralling.  It was running through the shallows opening its wings, flapping them and herding this group of fish until they were literally bursting out of the water.  It was fantastic! This was a magical moment in the world of documentary filmmaking that required skill but also came down to listening to the local experts and a bit of luck.”


In addition to the wildlife, the geography of the Bahamas also provided amazing opportunities for filming.  The Bahamian caves and blue holes are unknown to most travellers to the Bahamas because only certified cave divers are able to access these subterranean features.  On one hand they are easier to film because they are not going anywhere, unlike creatures who may or may not show up.  But on the other hand, you must bring everything you need to survive with you, including air and light to see and film by.

“So the technical challenges make it quite dangerous to film.  But we are not focusing on that in the program, the human danger, ” explains Herring. “We purposefully focus on the geology and special nature of these formations.”

With spectacular imagery, Bahama Blue is both entertaining and educational, drawing the viewer into the lives of elusive creatures, yet highlighting the fragility of the ocean environment.  In a market dominated by character-based television programming, Herring believes that there is still an appetite for natural history programming.  “There is room in our lives for us to be inspired and filled with wonder.  There really is a value to that.”

Bahama Blue was produced by award-winning Canadian producers Ian Herring and Maija Leivo of Parallax Film Productions.

Bahama Blue premieres in Canada on Wednesday May 6, 2015 on the Love Nature channel.

Check out our Facebook page and Tweet us @BahamaBlueTV.


Parallax Rides a Bahama Blue Tide to World Oceans Day

Bahama Blue (c) 2014 Parallax Film Productions Inc.









VANCOUVER, BC April 21, 2015 – World Oceans Day has taken on new meaning to the production team at Parallax Film Productions. After spending months filming their latest project called Bahama Blue, a bunker oil spill occurred in their hometown Vancouver, just as they were delivering the final episodes.

“We just have a new appreciation for how catastrophic an event like this can be. We know how vulnerable many species are to manmade pollution,” says Director and Executive Producer Ian Herring, “It’s a shame that we only truly appreciate wildlife when it’s threatened or gone.”

The team chose a different theme for their series, though, to capture the beauty and diversity of wildlife in the Bahamas. “We’ve taken a page out of (David) Attenborough’s book,” says Herring, “the best way to motivate people to protect the environment is to inspire them, not just lecture them.”

Bahama Blue (c) 2014 Parallax Film Productions Inc.Parallax started by focusing on the classic A-List Species: sharks, dolphins and whales, but quickly learned that just like there are no small roles, only small actors, the Bahamas were filled with countless extraordinary creatures: rare species of iguana found nowhere else on earth, tiny tree crabs who need to stay wet to breath and a type of comb jelly that predates the dinosaurs. The series blends rich 4k cinematography and macro photography, that allowed the team to film creatures ranging from tiny thimble jellyfish to giant sperm whales. Its signature ‘tide lapses’ and intimate aerials set the creatures in their environment: a view of the Bahamas beyond the beaches.

The series is something of a departure for the Parallax team who is best known for its science and history programming. Their most recent project, Battle Castle, blended computer-generated images, beauty location footage with battle reconstructions to tell the stories of six great castles and their sieges. But Herring believes he’s recapturing something of an art lost to many Canadian filmmakers and he’s convinced that Canadian viewers want to see it. He cites a recent survey they showed that 63% of Canadians or nearly 17 million people obtained their information about Nature through visual media in the previous year, narrowly surpassing those who got information from print sources.[i]

Bahama Blue premieres in Canada on Love Nature Wednesday, May 6 at 10 pm Eastern. Love Nature is a premium nature and wildlife channel, which showcases the animals, landscapes and wonders of our world in a commercial free, family friendly format. Herring likes its placement on a commercial free channel. “We want to take the audience with us on a cinematic journey to this unique spot,” he explains, “without the ads, people stay immersed in the stories.”

Love Nature also sees the power of episodes to inspire. “Bahama Blue lets us see nature in a spectacular new light with beautiful 4k content,” says Marcia Martin, SVP, Original Content, Blue Ant Media. “Airing this stunning new series on the Love Nature Channel allows us to further connect people to the beauty and wonder of nature.”

World Oceans Day is June 8, just before the sixth and final episode of Bahama Blue. Parallax intends to support the worldwide event by sponsoring a Twitter chat with one of Bahama Blue’s underwater cameramen, Andy Brandy Casagrande, to discuss his role creating images that inspire ocean conservation.

Bahama Blue will broadcast in French Canada in the winter of 2016.

Bahama Blue is also scheduled to air starting:

  • May 5 in Eastern Europe, Middle East, Africa (EEMA) on Animal Planet
  • May 24 in Italy on Focus TV.

Other international broadcast dates are forthcoming.

For more information and interview requests, please contact:

Delanne Young
Parallax Film Productions


Bahama Blue
Bahama Blue premieres weekly on Wednesdays at 10PM ET/PT on Love Nature. (Check local listings at:

Promotional trailer:

Associated links:

About Parallax Films
Parallax Film Productions, founded in 1996 by Ian Herring, has delivered more than forty-five hours of blue chip factual programs to broadcasters all over the world. The team uses the latest in film technology to provide powerful storytelling with unprecedented visuals in HD, 3D and 4k for multiple media platforms. Parallax’s recent series Battle Castle, a television and convergent media project, received a nomination for Best Historical or Biographical Series in the 2013 Canadian Screen Awards and seven Leo Award nominations of which they won four, including Best Documentary Series. Their international broadcasters and partners to-date are Discovery Channels (US, Canada and International), National Geographic Channels (US, Canada and International), Love Nature (Canada) History Channel (US), Channel 4 (UK), FIVE (UK), DMAX (Germany), RAI (Italy), TV Asahi (Japan), PBS NOVA and Nature, History Television (Canada), BBC Worldwide and Parthenon Entertainment.

Associated links:
[i] Source: Federal, Provincial, and Territorial Governments of Canada, 2012 Canadian Nature Survey: Awareness, participation, and expenditures in nature-based recreation, conservation, and subsistence activities, p. 23


Hiring: CGI Modeler and Texture Artist

Parallax Film Productions is looking for a Maya modeler and texture artist for a documentary series. Must have knowledge of Maya (modeling, texturing, basic lighting, basic animation, and rendering) and Photoshop (texturing). Must have great attention to detail.

Primary duty requires modeling and texturing exact replicas of nautical military vehicles based on historical and modern images (for use by compositors). Other essential tasks will include creating CGI only based shots (engineering explanations).

Must be able to work in a Mac environment.

Knowledge of After Effects an asset. Knowledge of fluid dynamics would be a bonus.

Must be able to work under direction and adapt with intelligence and good humour to shifting priorities.

Pay commensurate with experience.

To apply, submit a cover letter and resume as a single Word or PDF document to Please put “CGI Modeler” in the subject line.

No phone calls please.

Hiring: Digital Compositor

Parallax Film Productions is looking for a digital compositor for a documentary series. Must have strong Photoshop and After Effects skills (CS6 or higher). Must have knowledge of compositing in 2.5D using After Effect’s virtual camera in 3D space, working with multiple still images and green screen elements in z-space.

Primary duty requires building virtual 2.5D sets from a multitude of still images and incorporating Maya 3D models into the 2D compositions. Other essential tasks will include keying, rotoscoping, plate cleanup, and set extensions.

Must be able to work in a Mac environment.

Knowledge of Element 3D plug-in an asset. Experience with After Effects for motion graphics design would be a bonus.

Must be able to work under direction and adapt with intelligence and good humour to shifting priorities.

Pay commensurate with experience.

To apply, submit a cover letter and resume as a single Word or PDF document to Please put “Compositor” in the subject line.

No phone calls please.

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