Sean speaks about the implosion of the Fonte Nova Stadium in Salvador, Brazil that we’ll be filming for the explosive demolition series Blowdown, how 3D event-based documentary filmmaking differs from 3D feature film production, and how we’ve rigged gear, planned data management and hammered out a work flow taking these differences into consideration.
“The tools exist for making feature films like Avatar, or we see a lot of animated 3D films, but now with this emergence of 3D television there’s a thirst and a demand for content but the tools don’t quite exist to be able to go out there and do filmmaking like we’re used to doing it for television.”
“Together with a team here in Victoria we’ve actually taken other cameras and sourced components from other places and assembled them in a way that certainly in B.C. and Canada and probably in the world these systems don’t exist.”
“Our hope is that as 3D becomes more prolific that a Canadian broadcaster will catch on to this stuff … it’s more than the future of television, this is the future of how we consume content, whether it’s on the Internet or on whether it’s on TV this is what future generations are going to be demanding and we’re on the forefront of creating it for television.”
Gear roundup tomorrow, Crew ships out Monday.
Ready to roll.