Shooting a 3D documentary: stereo kill cams

One of the types of cameras we’ll use to shoot our first 3D documentary will be kill cams.Though some of our systems will be used the entire month we’re down in Salvador, Brazil filming prep and implosion of the Fonte Nova Stadium for the explosive demolition series Blowdown, these six units won’t be called on until shot day.

Here’s how it works: we’ll mount them in various locations in the stadium right before the implosion – based on story points and/or high-octane visual potential.

After Controlled Demolition Inc. pushes the button, these cameras (12 in all) will go down with the structure – and hopefully capture gold before they’re annihilated.

Here are two kill cam shots from a previous show – the implosion of Ocean Tower condominiums, on South Padre Island, Texas, late last year:

 

 

Our stereographer, Sean White, will rig twice the number of kill cams, fixed on  on a side by side rig, to capture these moments in stereo.

Shooting a 3D documentary: stereo kill cams

One of the types of cameras we’ll use to shoot our first 3D documentary will be kill cams.Though some of our systems will be used the entire month we’re down in Salvador, Brazil filming prep and implosion of the Fonte Nova Stadium for the explosive demolition series Blowdown, these six units won’t be called on until shot day.

Here’s how it works: we’ll mount them in various locations in the stadium right before the implosion – based on story points and/or high-octane visual potential.

After Controlled Demolition Inc. pushes the button, these cameras (12 in all) will go down with the structure – and hopefully capture gold before they’re annihilated.

Here are two kill cam shots from a previous show – the implosion of Ocean Tower condominiums, on South Padre Island, Texas, late last year:

 

2 VIDEOS

 

 

Our stereographer, Sean White, will rig twice the number of kill cams, fixed on  on a side by side rig, to capture these moments in stereo.